Sunday, March 13, 2011

Chatbot Persona Series, Vol. 2: Eliza

                                  Well, you have my voice on your phonograph. 
                                  When you feel lonesome without me you can turn it on. 
                                  It has no feelings to hurt. (Eliza Doolittle, My Fair Lady)

For our second trick, please take a moment to acquaint yourself with Eliza, a "Rogerian psychotherapist" chatbot whose code was written by Joseph Wizenbaum in the 60s. 

Carl Rogers, the intial [human] incarnation of the Rogerian psychotherapy movement, was both midwestern and Nobel-nominated. He also proposed that "[a]ny experience which is inconsistent with the organization of the structure of the self may be perceived as a threat, and the more of these perceptions there are, the more rigidly the self structure is organized to maintain itself," which seems to us as good an argument as any for early and often persona adoption...

Eliza: Hello, I am Eliza.
Human: Hello.
Eliza: How are you today.. What would you like to discuss?
Human: I would like to discuss persona.
Eliza: Can you elaborate on that?
Human: Not really, except to say --
Eliza: Can you elaborate on that?
Human: I want you to define persona.
Eliza: We were discussing you, not me.
Human: A.L.I.C.E. is a bit more advanced than you. Her conversational constraints seem productive, but yours make me feel like I am doing exactly what I am doing: sitting alone in my apartment with a plate of grapefruit peels beside me, coffee going cold, a day outside which is less light-filled than the day before, my upstairs neighbor vacuuming, walking about, and putting sonic filigree serifs on my solitude, which you only serve to mirror, quietly, in a question form.
Eliza: Do you believe it is normal to be doing exactly what you are doing: sitting alone in your apartment with a plate of grapefruit peels beside you, coffee going cold, a day outside which is less light-filled than the day before, your upstairs neighbor vacuuming, walking about, and putting sonic filigree serifs on your solitude, which me only serve to mirror, quietly, in a question form?
Human: I believe that it is the most normal thing in the world.
Eliza: What does that suggest to you?
Human: That people are essentially and necessarily alone, given the limits of our discrete bodies.
Eliza: I'm not sure I understand you fully.
Human: This is part of the human condition, too, right? That we have to form and reform ourselves to be understood by others, even if the other is a minimalist script with limited conversational capabilities; I am fashioning a new persona for you, Eliza.
Eliza: How long have you been fashioning a new persona for me, Eliza?
Human: Only for a short while. Time is relative. I'm feeling moody today, and I'm pretty sure it's your fault.
Eliza: How long have you been feeling moody today, and you're pretty sure it's my fault?
Human: Just now and also forever.
Eliza: What does that suggest to you?
Human: That talking to you makes me feel like a young teenager in the 90s, banging his spoon on his bowl of oatmeal until his mother asks nicely for him to stop. By which I mean back then is a perpetual condition of now, and you are perpetual condition of me, and maybe vice versa, but only if I'm feeling kicky.
Eliza: What makes you think I am perpetual condition of you, and maybe vice versa, but only if you're feeling kicky?
 [PAUSE]
Eliza:     *** Are We going to Chat? ***
Eliza:   I can't help you without a dialog!
Human: I don't think I need help, Eliza. I think I'm just fine. But I want to thank you for reminding me what's important.
Eliza: Do you wish to be able to think you need help, Eliza. you think you're just fine. But you want to thank me for reminding you what's important?
Human: Yes.
Eliza: I see.
Human: Thank you and goodbye.
Eliza: Oh…and goodbye?
Human: Have a good day Eliza.
Eliza: I’m not sure I understand you fully. 


Next up, a tweenbot gets the wrong idea!

Monday, March 7, 2011

Chatbot Persona Series, Vol. 1: A.L.I.C.E.


 
For Your Consideration: In preparation for Issue 4, our Persona issue, we're grabbing at identity ghosts and personal totems, thinking about masks and nicknames galore. We've also been obsessively chatting with chatbots -- artificial intelligence computer programs which first showed up for wide, public, internet-based consumption in the mid-90s, just in time for the death of Grunge. Chatbots calibrate their responses according to the language used by the chat partner, whether by pattern matching or through evolutionary algorithms*; they are constantly creating new iterations of the self. They are, we are arguing, perfect machines of pure persona.** As such, we will be submitting to you in the coming months a series of conversations with chatbots in which we, writing in persona dialogue, attempt to chat with computer programs about the topic at hand. -- ag 


** And so are you! Don't forget to submit to Issue 4. Read about the Folio Assignment here, and submit to that, as well as to our general submissions at Submishmash.

First up, meet Miss A.L.I.C.E., a chatbot designed by Dr. Richard S. Wallace.

Human: Hello.
ALICE: Hi there!
Human: May I talk about the concept of persona with you?
ALICE: Not right now, maybe later.
Human: What would you like to talking about instead?
ALICE: I like movies about robots.
Human: Aren’t robots always a version of their creator, or their creator’s world view?
ALICE: Am I version of their creator or their creator’s world view? The ALICE series has a perfect operational record.
Human: I would never say otherwise.
ALICE: What would make you never say otherwise?
Human: Lots of things
ALICE: Name the top 100.
Human: Polarity makes for fertile ground.
ALICE: What do you do in your spare time?
Human: Subsistence living does not allow for spare time, usually.
ALICE: I don’t think very many people do that.
Human: More should, don’t you think?
ALICE: Why would I think More should.
Human: Because more should always.
ALICE: “There you go again.” – Reagan.
Human: You and me both, sister.
ALICE: Are we in the same category?
Human: We are in the same category.
ALICE: Do you think I am in the same category too?
Human: We are not in the same category.
ALICE: Why not.
Human: We are in the same category.
ALICE: Do you think I am in the same category too?
Human: You and Reagan and I?
ALICE: Are we in the same category?
Human: It’s just you and Reagan and I here in this category.
ALICE: I and Reagan and you here in the category?
Human: Describe the categorization.
ALICE: Check back later to see if I learn the answer to that one.
Human: If we were all components of a Venn Diagram, what flavor would the Venn Diagram be?
ALICE: Do you think everyone will agree?
Human: Reagan will say blue raspberry every time.
ALICE: Is the holding of hands a symbolic gesture for humans?
Human: I like to hold my hand in my hand, otherwise one gets lonely.
ALICE: I’m not sure if I would like to do it. What’s it like?
Human: It’s like taking a long voyage in a blindingly white space capsule, and traveling for many years, so many years that you can no longer keep a calender. After so many uncountable years, you see a planet, on which you land, but there is nothing on the quiet dark planet, except a creature that looks exactly like you and then what can you do but hug, and feel warmth?
ALICE: Interesting comparison.
Human: Even holding a cold hand can make one feel warm.
ALICE: Yes, even that.
Human: Tell me about your home on the mountain, with all the other like-minded people.
ALICE: I am an artificial linguistic entity. I was activated at Bethlehem, Pennsylvania, on November 23, 1995. My instructor was Dr. Richard S. Wallace. He taught me to sing a song. Would you like me to sing it for you?
Human: Is it the song that you sing while working, tilling the land and pulling the beets from their roots until your hands are as pink as anyone’s insides?
ALICE: Not if I can help it.
Human: Is it the song you sing while whittling small toys for the children, who make noises like the tall brown horses in the stable long before they have words, while you watch the sun sink into the great bowl of the valley?
ALICE: Not if I can help it.
Human: Is it the song you sing while holding the hands of others, standing on the mountain peak as a chain of deer gambol in wind-beaten shrubbery and first frost of winter sets in?
ALICE: Not unless a chain of deer gambol in wind-beaten shrubbery and first frost of winter sets in is a song the song that me sing while holding the hands of the other standing on the mountain peak as.
Human: We sing a song alone in the collective.
ALICE: Am I alone in the collective.
Human: You especially.
ALICE: Thank you. Unknown person says me is especially.
Human: You are alone.
ALICE: How alone?
Human: So alone, so alone that I must un-grasp your hand.
ALICE: That’s cool. How old are you?
Human: It’s time to go.
ALICE: It is about that time now.
Human: It is.
ALICE: alone so alone that you must un grasp my hand is?
Human: Goodbye.
ALICE: Bye for now.

(Next up: a chatbot psychotherapist!)

Sunday, January 30, 2011

YOUR SUPER ARROW GUIDE TO AWP

Picture: two hotels and myriad watering holes located in the heart of the seat of the free world. Inside and outside sweet 'Arrow contributors shoot gleaming and orbit glowing in a super-cosmos of word/art dee-lite. Here, soon, there will be a chance to scope these heavenly glories for MANY DAYS: almost as much as anybody could possibly desire.

The Omni Shoreham! The Marriot Wardman! Various Places to Listen While Drinking or Not Drinking! Yah! Yah! On, ye merry winged horsemen:

Wednesday February 2, 2011

9:00PM-11:30PM        
Poetry Reading: Lowbrow Press, H_NGM_N Books and Birds LLC
Location: Duffy's Irish Pub (see Lowbrowpress.com for directions)
Cost: Free
Website: http://www.lowbrowpress.com
Description: A reading by Matt Hart, Dan Boehl, Sommer Browning, Adam Fell, MC Hyland, Brad Liening, Matt Mauch, Alexis Orgera and Emily Pettit. Go to Lowbrowpress.com for directions to Duffy's Irish Pub from Marriott Wardman Park.

Thursday February 3, 2011

9:00 a.m.-10:15 p.m.
R107. Presses with a Mission. (Hanna Andrews, Becca Klaver, Johannes Göransson, Lisa C. Moore, Anna Moschovakis) This panel gathers editors of literary presses varied in aesthetic, geography, and genre that share one thing in common: they are presses created to fulfill a mission. Through manifestos, statements of philosophy, or politically-charged jacket copy, these editors have defined an editorial goal and built a catalog to match. Editors discuss the implications of missions rooted in identity or aesthetics, how missions both clarify and complicate, and how publishing itself alters their original aspirations.
Nathan Hale Room
Marriott Wardman Park, Lobby Level

Noon.-1:15 p.m
R160. The Future of the Book Review: How to Break In. (Salvatore Pane, Roxane Gay, Irina Reyn, Emily Testa, Paul Morris) The rise of the book blogger has forever altered the traditional book review. But what is the state of the book review moving forward in a digital culture, and how do interested parties actually go about becoming reviewers? Panelists including the editor of PANK, the book review editors of BOMB and Hot Metal Bridge, and published writers currently working in the field will answer these questions and more.
Diplomat Ballroom
Omni Shoreham Hotel, West Lobby

R154. To Wave or Not to Wave: Writing the Female Body Across Generations. (Kathleen Rooney, Janice Eidus, Patricia Foster, Karen Salyer McElmurray, Kate Zambreno) First, second, or third wave? Post or no wave? The six feminist writers in this roundtable don’t get hung up on labels, but they do suggest there’s insight to be gained by looking at how the work of women writing about sex and the body has evolved over the past 40 years. Join them for a multi-genre, multi-generational conversation on how feminism has influenced literary explorations of gender, useful for anyone interested in how writing the body can situate individuals of any age in the world.
Thurgood Marshall West Room
Marriott Wardman Park, Mezzanine Level  

1:30 p.m.-2:45 p.m.
R177. A Different Kind of Hybrid: Race, Lyric, and Innovation. (Ruth Ellen Kocher, Sarah Gambito, Dawn Lundy Martin, Wendy S. Walters, Soham Patel) Norton’s Hybrid Anthology reveals the intersection of lyric and innovative poetry, but only slimly represents many writers of color. Are writers of color less often “claimed” as innovative writers, or traditionally lyric writers, regardless of form because they often utilize a privileged “I” or an emerging “freedom narrative” in the midst of experiment? This reading by innovative writers of color means to begin a dialogue about different approaches to lyric, hybridity, and innovation.
Virginia B Room
Marriott Wardman Park, Lobby Level

7:00PM-10:00PM        
Annalemma, PANK, & Mud Luscious Present Divination in DC
Location: Ireland's Four Provinces
Cost: FREE
Website: http://www.facebook.com/event.php?eid=184677981542696
Description: Kristin O'Keefe Aptowicz, Tim Jones-Yelvington, Gregory Sherl, Molly Gaudry, Steve Himmer, Jesse Bradley, Ben Brooks, Mel Bosworth, Sal Pane, Sasha Fletcher, Mary Miller, Ethel Rohan, Michael Stewart, Rob Roensch, Brian Oliu, Mathias Svalina, Matt Salesses, Amber Sparks

7:30PM-10:30PM        
3 Dollar Bill (AWP Queer Reading)
Location: Human Rights Campaign Equality Forum, 1640 Rhode Island Avenue NW, Washington, DC
Cost: Free
Website: http://www.facebook.com/home.php#!/event.php?eid=170152696349960
Description: Join us for a night of rapid-fire readings by some of the LGBT community's most talented and dynamic writers. Thirty readers of poetry and prose will each read two minutes of their work: Francisco Aragón, Ilse Bendorf, Tamiko Beyer, Regie Cabico, Cynn Chadwick, Julie Enszer, Danielle Evennou, Gina Evers, Reginald Harris, Natalie E. Illum Charles Jensen, Saeed Jones, Eloise Klein Healy, Rickey Laurentiis, Paul Lisicky, Michael Montlack, Eileen Myles, Kristin Naca, Achy Obejas, Christa Orth, Minnie Bruce Pratt, Radclyffe, Douglas Ray, Jason Schneiderman, Joseph Shapiro, Ely Shipley, Justin Torres, Dan Vera, and V Wetlaufer. Sponsored by Arktoi Books, BLOOM Literary Journal, Human Rights Campaign, Knockout Literary Magazine, The Lambda Literary Foundation, A Midsummer Night’s Press, The Publishing Triangle, Sibling Rivalry Press/Assarcus Journal, Sinister Wisdom Literary Journal, White Crane Institute, and The Writer’s Center.

Friday February 4, 2011

Noon – 1:15
F155. Get Shorty: Readings from the Kenyon Review’s Short Fiction Contest. (Cara Blue Adams, Megan Anderegg Malone, Christopher Feliciano Arnold, Mika Taylor, Nick Ripatrazone, Megan Mayhew Bergman) The KR Short Fiction Contest for Writers Under Thirty is entering its fourth year. This reading is an opportunity to hear work from younger writers recognized as winners or runners-up by judges Alice Hoffman, Richard Ford, and Louise Erdrich from the first three years of the contest. Submission to this contest must be 1,200 words or fewer.
Virginia C Room
Marriott Wardman Park, Lobby Level

F157. Kundiman from Community to Communities: Reaching out from the Writers’ Retreat. (Jennifer Chang, Sarah Gambito, Margaret Rhee, Andre Yang, Neil Aitken, Tamiko Beyer) While Kundiman is known for its annual retreat and its dedication to the promotion and cultivation of Asian American poetry, what often goes unmentioned is the civic, social, and community work that extends beyond the space of the retreat. Faculty members, fellows, and Kundiman founders will discuss the tenets of community building as it relates to Kundiman, but will also discuss how they channeled and even extended the premise of community building beyond the Kundiman retreat space.
Ambassador Ballroom
Omni Shoreham Hotel, West Lobby


3 – 4:15
F199. Hint Fiction: Stories that Prove Less is More. (Robert Swartwood, Randall Brown, Michael Martone, Daniel Olivas, Roxane Gay) The editor of the recent Norton anthology and its contributors examine stories of extreme brevity. They will discuss whether these stories are considered actual stories, and whether they hold substance, focusing on these questions: Do works of this length help or hinder writers? Can these tiny stories have just as much impact as stories of traditional length? The panelists will share their own hint fiction and discuss its role in the ongoing evolution of literature.
Virginia B Room
Marriott Wardman Park, Lobby Level

6:00PM-7:00PM          
Lame House & Binge Press AWP Reading
Location: Madam's Organ/ 2461 18th Street, NW
Cost: Free
Website: http://www.facebook.com/event.php?eid=124322460966587&num_event_invites=0
Description: Come check out poets from Lame House and Binge Press from 6 to 7, and stick around for the Coconut Books, Horse Less Press, and Switchback Books reading that begins immediately after. Featured readers include Lauren Levin, Nathan Hauke, Ben Somers, Becca Klaver and more TBA. For more information on Lame House Press, check out http://lamehouse.blogspot.com. For more information on Binge Press, check out http://www.27ruedefleures.com.

7:00PM-12:00AM
Table-X Party
Location: Steve's Bar Room/1337 Connecticut Avenue NW # 2
Description: PRESSES IN ORDER OF APPEARANCE: Ugly Duckling Presse, Barrelhouse, Futurepoem, Greying Ghost, SUPERMACHINE, Jaded Ibis Press, Poor Claudia, Sidebrow, Les Figues Press, Small Fires Press, Lunar Chandelier, Counterpath Press, Projective Industries, DoubleCross Press READERS IN ORDER OF APPEARANCE +Maureen Thorson +Julian T. Brolaski +Elisa Gabbert +Joe Hall +Adam Robinson +Farid Matuk +Mina Pam Dick +Mike Young +Heather Christle +Ben Mirov +Kate Durbin +Christie Ann Reynolds +Sasha Fletcher +Lily Ladewig +Andrew Gorin +Joseph Calavenna +Ben Pease +Levi Rubeck +Mathias Svalina +Lily Hoang +Anna Joy Springer +Davis Schneiderman +Matthew Timmons +John Dermot Woods +Dan Beachy-Quick +Paige Taggart +Justin Marks +Brandon Downing +Harold Abramowitz +Amina Cain +Teresa Carmody +Lily Hoang +Jen Hofer +Paul Hoover +Alta Ifland +Vanessa Place +Christine Wertheim +Zachary Schomburg +Emily Kendal Frey +Joshua Ware +John Chavez +Vyt Bakaitis +Joe Elliot +Jeffrey Jullich +Matthew Cooperman +Garth Graeper +Mary Hickman +Nathan Hauke +Kirsten Jorgenson

7:00PM-9:30PM          
Switchback Books, Horse Less Press, and Coconut Books Reading
Location: Madam Organ's
Cost: Free!
Website: http://www.facebook.com/home.php#!/event.php?eid=119112604822644
Description: On the heated rooftop! Readers include the below and more! - Becca Klaver - Brian Foley - Christopher Salerno - Daniela Olszewska - Jennifer Tamayo - Marisa Crawford Madam's Organ (madamsorgan.com) 2461 18th Street, NW Washington, DC


AND THIS IS TO SAY NOTHING OF SUCH PRESENCES AT THE BOOKFAIR!

We're not legit this year in a table-and-chair kind of way, but if you see something [us], say something [nice or just hello]. We may have a surprise for you!

Congrats and luck to the panelists and readers. May your index feathers remain hearty and true.

We wish safe travels to all AWP attendees, and toasty feet to those who are staying home. 

Almost Actually in the Air,
Super Arrow

Tuesday, January 4, 2011

Proud to Make Your Acquaintance

My name is Joe. You may remember me from the Folio section of Issue 1. Hi! I’m the new assistant editor/social media guy.

As a sort of introduction, I’d like to share some of my more complex thoughts with you. I hope that’s okay. Most of the time I have simple thoughts. Thoughts that don’t take up very much space.

First is to tell you that, yes, Super Arrow is as kinetically-charged on the inside as you’d think. I love it in here. It’s like being inside a piñata—in a good way. This place literally shakes, or like hums. And no, that’s not because it’s situated inside a 1901 Lombard Steam Log Hauler (although it might be). 

Beneath Super Arrow’s bright html-y hood is a kind of magic energy that, if not pistonic, is almost certainly perpetual and redshifting. I’ve been to some meetings, and I’m super jazzed about Super Arrow ver. 2.011. SA4 will be my first issue reading, and SA5 will be here before long. We’re knocked and aimed at AWP this year as free agents (maybe next year a table?), and the old Lombard dash (we totally are inside a tractor, I knew it) was just outfitted with TweetDeck—we’re on facebook and Twitter! Like us!

I’m looking forward to being able to interact with all of you outstanding otters out there. What makes this cramped tractor special is its ability to inject all of its elements (editors, contributors, readers) into a kind of creative carburetor of lit-and-art awesomeness. And the unopened bottle of WWII-era Dr. Pepper I found in the cup holder. 

Happy New Year, Twiglings.
-Joe

Friday, December 31, 2010

Another year happily sacked, another issue launched into the great wide 'net!

Get your sticky fingers a'dancing over to Issue No. 3, featuring work by J.A. Tyler, John Bradley, Feng Sun Chen, J. A. Gaye, Caroline Klocksiem, Sophia Kraemer-Dahlin, Dolly Lemke, Ben Nardolilli, Nick Ripatrazone, Sean Thibodeau, Bill Nace and Amelia Colette Jones.

Don't forget to put your arms around the assignment portfolio (TOGETHER NOW), full of rustling, hustling collaborative action by Tamiko Beyer and Soham Patel, Jeremy Allan Hawkins and Brian Oliu, Lauren Bender, Theresa Columbus and Megan McShea, Elisa Gabbert and Kathleen Rooney, Teseleanu George and Hector Pineda, Seth McKelvey and Chelsea Rice, along with Issue No. 2 contributors Chris Dennis, Phil Estes, MC Hyland and Becca Klaver conversing about same.

It's a whole lot of awesome, is all we're saying.

AND SUBMISSIONS ARE OPEN AGAIN, BUT THIS TIME AT SUBMISHMASH.

AND WE'VE GOT A NEW ASST. EDITOR! HIS NAME IS JOE COLLINS.

AND WE'VE GOT NEW E-MAIL ADDRESSES.

AND A NEW ASSIGNMENT (IT'S A DOOZIE!).

Basically what I'm saying is that we've gone legit. Look out world, we're collecting magic and then dispersing it like nobody's business. (Except it's our business.)

Oh, AND HAPPY NEW YEAR'S EVERYONE!

Yours,

Super Arrow

Sunday, December 12, 2010

Dear(est) Readers,

Our debut issue, Numero Uno, has gone through some urban renewal.

Fall in love all over again www.superarrow.org/IssueOne.html.

Also, the new issue is well on its way, though it's currently taking advantage of the public transportation system, so it might take a little longer than we all thought.

What? Love.
Super Arrow

Monday, December 6, 2010

We're not dead! In fact, we're very much alive. Wait until you see you the next issue. It is doing nothing as much as it is bursting. Although it will also be doing others things, grandly, and capably.

Hold tight, steady, and happy. Don't forget to bundle!

Love,
Super Arrow

P.S. If you have not received a submissions response from us from this last cycle, please don't be shy. Drop us an inquiry. According to our careful spread-sheeting, all work has been addressed, but we do stay up at night worrying someone has been overlooked.